| |

Getty Images retained Plymouth Partners as its advisor/broker
to determine if it should consolidate its operations or remain at
scattered sites throughout the Midtown South market. After extensive
analysis, Plymouth Partners determined that Getty would achieve greater
efficiency and cost savings by consolidating, rather than retrofitting
its current space and restructuring its leases.
During the course of the search for new space, Getty - which had recently
bought four of its competitors - set about on a vigorous campaign
to become the worlds largest provider of visual content by acquiring
even more of its competitors. This growth continued over a period
of seven months, ballooning Gettys needs from an initial 32,000
square feet to 261,000 square feet.
Gettys fifth acquisition was Allsport Photography,
at which point Gensler Architects performed a space-planning program.
Gensler determined Getty would require approximately 50,000 square
feet to integrate all five operations. Armed with this plan, Plymouth
Partners focused on locating buildings that would accommodate Gettys
erratic growth by structuring deals that considered future acquisitions.
At the same time, vacant space in New York was rapidly disappearing.
Dot-coms and financial services firms were expanding and the lag
in new construction was finally being realized. A frenzied atmosphere
overtook all space searches, and Plymouth Partners and Getty felt
the resulting pain. Repeatedly, spaces that Getty visited and liked
would be leased even before Getty could make an offer for them.
A Deal is Struck
then Killed
Plymouth and Getty agreed on a new home
at 111 Eighth Avenue. It met all the requirements including image,
technology, location and economics. After concluding preliminary
negotiations, Plymouth Partners requested that the building owner
create leases. The next day, in a questionable move, the owner abruptly
gave the space to an existing tenant that had never before been
mentioned. Even though Plymouth was dealing with respectable individuals
within the brokerage community, the frantic pace of the tight market
had created an "un-level" playing field. Plymouth had
to back track and re-evaluate all of the viable properties it had
examined earlier. By then of the summer, however, there were no
remaining 50,000 square foot blocks of space in Midtown South. The
time wasted while dealing with 111 Eighth Avenue had frozen Getty
out of the market.
The collapse of the 111 Eighth Avenue deal looked like a disaster,
since Plymouth Partners had already been working on the difficult
task of getting Getty out of the leases for the five recently acquired
firms. Now, these groups had nowhere to go. Plymouth had already
structured an early lease termination for one group (Energy) and
passed on the opportunity to renew another groups (Liaison)
lease. Liaisons lease had expired in June and its Landlord
had offered an expensive ten-year deal. To make matters worse, Liaison
was under pressure to move out because another tenant had committed
for its space as part of a new long- term lease. Despite
these circumstances, Plymouth Partners negotiated two separate six-month
lease extensions for Liaison, buying time until a site was selected.
At this point, Getty had no choice but to move.
Quick
Action Saves The Day
Plymouth Partners, moving as quickly as possible, identifies the only
remaining spaces available in the marketplace. Both were owned by
Trinity Real Estate, an arm of Trinity Church, and were in the up-and-coming
Hudson Square neighborhood just west of Soho. In August, negotiations
had begun and a verbal agreement was reached: Trinity would take both
buildings off the market and Getty would consolidate its operations
at one of them. Space in the two properties - 345 Hudson Street and
One Hudson Square - was occupied by a variety of firms and would require
relocations, buyouts and an incredible amount of wheeling, dealing
and juggling by everyone.
The entire fifth floor at 345 Hudson Street (56,470 square feet) met
Gettys needs. At One Hudson Square, the entire fourth floor
(73,000 square feet) could be available. Trinity agreed that it would
buyout or terminate Brand X Editions, Gate Group USA and Callahan
Sunders to create 24,734 square feet. It then agreed to buyout Europadisk
I & II to create another 36,642 square feet. Once the last tenant
(Dean Witter) moved out the floor would be vacant.
The Requirement Grows Again
The dealing suddenly became even more complicated
when Getty acquired The Image Bank, a major competitor, doubling the
space requirement to more than 100,000 square feet. Plymouth Partners
decided to move forward with One Hudson Square, since this building
could accommodate Gettys sudden growth spurt. In addition to
the entire 4th floor, Plymouth began a discussing the vacant
5th floor space. Throughout this process, Gettys
need for contiguous space had to be kept at the forefront.
While Plymouth waited for confirmation from Trinity that the tenants
were receptive to the buyouts, Getty acquired another competitor,
FPG International, which occupied 45,000 square feet in the Union
Square neighborhood. Plymouth Partners now had to begin discussions
for the entire 6th floor since, after all the acquisitions,
there was uncertainty over exactly how much space would eventually
be needed. Negotiations for the sixth floor were kept separate from
the fourth and fifth floors, since the market had grown even tighter
and Trinity was not willing to offer as many concessions now.
Shuffling
The Jig Saw Puzzle
Now it was Trinitys turn to juggle. Five
tenants whose leases expired at different times occupied the sixth
floor. Since Trinity did not want to lose Getty, in entered into agreements
with each of the five tenants to either buy them out or move them
elsewhere within Trinitys portfolio. The process of buying out
the industrial tenants was very intricate. It was virtually impossible
for all of the tenants to vacate at the same times, so Plymouth Partners
devised a two-phase move-in that would allow for flexibility in negotiating
the lease termination dates.
Getty Images signed leases, overcoming complications
with some Trinity tenants. Three tenants held up the negotiating process,
jeopardizing the transaction. Tridon could not vacate the sixth floor
in time, so a deal was struck where Tridon agreed to flip some contiguous
space so that Getty could complete its Phase I move-in. Europadisk
could not vacate the fourth floor; instead, Getty took approximately
6,000 square feet from Europadisk. Plymouth then had to convince Trinity
had to buy out a tenant in another of its buildings, so that Astoria
Press could vacate the sixth floor. A domino effect was taking place.
If this tenant had refused to vacate Astorias future space,
then Astoria would have remained on the sixth floor, jeopardizing
the entire Getty transaction.
To throw one more ball into the jugglers hands, Getty decided
to establish a 35,000 square foot back office/fulfillment center.
It needed to be both low-priced and close to One Hudson Square, leaving
very few options. Plymouth Partners was instrumental in persuading
Trinity to fulfill this requirement at 200 Hudson Street and 12-16
Vestry Streets (a combined building), negotiating for the entire second
floor of 36,342 square feet. These two adjoining buildings
part of Trinitys portfolio - are located directly across the
street from One Hudson Square.
After seven long months, the leases were signed and Getty Images had
a new home. During this time, Plymouth Partners had negotiated with
Trinity for three separate leases: the entire fourth and part of the
fifth floors at One Hudson Square, the entire sixth floor at One Hudson
Square, and the entire second floor at 200 Hudson Street/12-16 Vestry
Street. Trinity had negotiated with thirteen groups to create space
in One Hudson Square. Plymouth Partners had extricated Getty from
the five spaces it had acquired by buying its competition.
The Transaction
Plymouth Partners structured a deal that allowed
Getty a great deal of flexibility with liberal sub-leasing provisions,
must-takes and options, since there was still uncertainty over exactly
how much space would be required. In the end, Plymouth Partners created
the Getty Campus (One Hudson Square and 200 Hudson Street/12-16 Vestry
Street) in the most efficient, cost-effective manner despite extremely
difficult, "nail-biting" circumstances. The lease term is for 15 years
and was at rental rates considered to be very competitive for the
market situation. Due to the volatility of this account, Plymouth
Partners negotiated very liberal subleasing provisions that allow
subleasing of surplus space, with a profit to be shared with Trinity.

Getty Images is the worlds leading
provider of stock film footage for motion pictures, television
commercials and documentaries, and print, screen and new-media
advertising campaigns. Getty Images provides imagery via the
Web, CD ROM or transparency. Getty licenses thousands of images
every day to the worlds leaders in creative services,
news and information, and business, who rely on visual content
for online advertising, marketing materials, presentations,
films and videos, newspapers and magazines and on Web sites.
Getty Images continues to revolutionize the industry though
the application of technology. In addition to digital technology,
it has led the migration of the visual content industry online.
Getty Images is the leading e-commerce provider of imagery and
related products and services, with more than 70 million images
and an estimated 30,000 hours of film. The company provides
high-quality, branded imagery, meeting the distinctly different
needs of customers in four groups: Creative, Press and Editorial,
Business or Self-Publishing, and Consumer. Founded in 1996 by
Mark Getty (grandson of oil tycoon John Paul Getty), the company
is headquartered in Seattle, Washington, and has more than 2,400
employees in more than 50 countries, plus a network of agents
throughout the world. |
|
One Hudson Square, owned by Trinity Real
Estate, is a multimillion square foot structure that
historically was home to many printing firms. As part of Trinitys
campaign to convert its properties and the neighborhood
into an office center, One Hudson Square was completely
renovated with a new lobby, elevators, and building systems.
High-profile tenants, including StarMedia, Getty Images and
Lego System moved in, quickly changing the buildings character.
|  |

|
|